Humanities – Andrew Lawler http://www.andrewlawler.com Tue, 01 Mar 2016 14:50:16 +0000 en-US hourly 1 Karnak: Where the digital age meets ancient Egypt http://www.andrewlawler.com/karnak-where-the-digital-age-meets-ancient-egypt/ Mon, 26 Mar 2012 21:58:05 +0000 http://localhost:8888/wp-a_lawler/?p=1605 “Oh that the earth would cease from noise, and tumult be no more!” This was a prayer said daily in the temple complex of Karnak
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“Oh that the earth would cease from noise, and tumult be no more!” This was a prayer said daily in the temple complex of Karnak in ancient Egypt. The priests may have been asking for respite from the ringing of chisels and the shouts of stone masons. Karnak, situated on the east bank of the Nile, was their sacred place of worship. It was also a site with periods of near constant construction.

Egyptian rulers after 2000 BCE made their mark here, as did the Greeks and Romans who followed, turning what began as a modest temple into the ancient world’s largest and most impressive complex of religious buildings which, even today, inspires awe.

The first work, begun around 1950 BCE, was followed by five centuries with no known additions. But endless construction, destruction, and renovation over the next millennium and a half has proved challenging to modern-day researchers. Each change at this vast site can illuminate a political, religious, or social aspect of ancient Egypt, a text in stone chronicling the levels of prosperity, nature of beliefs, and the power of central authority. But, until now, the best that scholars could do to visualize the complex as it once existed was to visit the static wooden model of Karnak carved by French archaeologists at their nearby dig house. And conveying the complicated changes to students was even more difficult. “I was completely frustrated with the materials available—I wanted to show all the phases,” says Diane Favro, who teaches architectural history at the University of California at Los Angeles. “Slides and two-dimensional photos left out all the experiential aspects of the place.”

By pulling together a team of computer experts, archaeologists, and architects, Favro helped create a virtual Karnak—an exciting alternative to poring through archaeological reports, tourist guides, and maps to make sense of this fascinating, overwhelming, and confusing site. You can avoid the crowds at what is the most popular attraction in Egypt after the Great Pyramids, have a bird’s-eye view as temples take shape, and follow the path of the annual festival processions that were part of ancient Egyptian life. Digital Karnak offers a fresh way of understanding this vast site.

The task of the UCLA team has been to piece together how Karnak was pieced together. Three-dimensional models, ranging from Stonehenge to Aztec temples, are common now across the web. But quality varies; many are used primarily for entertainment purposes, and there are no accepted standards or guidelines for accuracy. Archaeologists have shied away from such models, since they inevitably involve guesswork.

“The training of archaeologists is to document the objects they find,” says Favro. Foundations may not reveal whether or not a house had a second story, for example. “When you get into reconstruction, you have to deal with the speculative.”

The Karnak project is, in effect, what Favro calls “reverse archaeology”—a new approach to envisioning the past that archaeologists are only now starting to embrace.

With its collection of temples, stone kiosks, obelisks, a sacred lake, walls, and pylons built over fifteen hundred years and spread over more than six hundred acres—nearly twice the size of the National Mall in Washington—Karnak is mind-bogglingly vast in both space and time. Even in partial ruin, Karnak provides a window into the formidable engineering and artistic abilities of ancient Egypt.

The pyramids may be more stupendous and the Parthenon more beautiful, wrote British adventurer Amelia Edwards in 1877 after wandering through the famous Hypostyle Hall which alone covers nearly 1.5 acres. “Yet in nobility of conception, in vastness of detail, in mystery of the highest order,” she wrote, the pillared space of Karnak at the heart of the complex surpasses them all. It was, she insisted without reservation, “the noblest architectural work ever designed and executed by human hands.”

A thousand years after the Great Pyramids were built, Karnak was still a small temple in Upper Egypt dedicated to the local god Amun. But with the rise of the Eighteenth Dynasty, which began in 1550 BCE, the once sleepy area became a focus of Egypt’s power and wealth, and Amun became an important deity. Karnak quickly grew into a national religious center, and pharaoh after pharaoh added courtyards and gates, built new temples and remodeled old ones, and occasionally dismantled older structures to reuse their materials. By the time of the only female pharaoh—Hatshepsut—the tops of obelisks were sheathed in gold and a new set of gates oriented the complex toward Luxor Temple a few miles to the south, rather than toward the Nile, which flowed just to the west. Every year, a grand procession took place on a broad avenue bordered by sphinxes between the two temples, one of the great festivals of ancient Egypt.

There was only one interruption to the steady growth of Karnak, when the heretic king, Akhenaten, snubbed the god Amun and the priests serving him by building a temple to the sun god Aten just east of Karnak’s walls to catch the life-giving rays before they struck Amun’s temple. But Akhenaten’s successors razed the structure and incorporated the stone into new projects.

Several pharaohs continued to embellish Karnak in the centuries that followed. Nectanebo I—who deposed and killed his predecessor and seized the throne in 380 BCE—made the last great changes, adding—but not completing—the First Pylon which visitors pass through as they enter the complex today. The Greco-Egyptian rulers who followed made more modest changes to Karnak, adding small temples. And even the Romans contributed, by completing a temple dedicated to Osiris. By the early centuries of the Common Era, the old ways began to dissipate. The incense was extinguished and the chants silenced. The new religion of Christianity moved in, and small churches were built within the massive pagan walls.

For Egyptologists, Karnak offers a treasure trove of data on Egypt’s evolution into an international power with great wealth, a unique and mysterious religion, and a way of life centered on the ebb and flow of the Nile, which coursed through the country’s heart. One relief, for example, which lists pharaohs stretching back to the Old Kingdom, provides scholars with important information on the ruling class. Even destruction tells a tale: Some pharaohs chiseled away their predecessors’ names in an attempt to wipe out any memory of their existence and accomplishments.

Favro, who directs UCLA’s Experiential Technologies Center, tends toward seeing a building as lived-in space rather than as a static object. That interest prompted her to midwife a project begun in 1997 called Rome Reborn, a three-dimensional tour of the Eternal City in ancient times. She was inspired in part by the massive plaster model of Rome during the time of Constantine, which was commissioned by Benito Mussolini. Although impressive, it is stuck in a particular time and lacks historical authenticity. The goal of the effort was to feed existing data into complex software programs in order to provide the best guess as to what Rome looked like when it was the center of an empire. The model avoids the guesswork that comes with many computer simulations—such as Hollywood movies. “We’re not talking the hyperrealism of the movie Gladiator,” she says.

The effort led archaeologists to consult with architects about the structural integrity of their recreated blueprints—a rare collaboration between two fields that are traditionally quite separate. Such computer models not only are teaching tools; they can forward research agendas as well. With a colleague, Favro modeled a funeral in the Forum, which provides a sense of sight lines and acoustics. It represents not just how Rome looked, but how it might have felt and sounded as you walked through its crowds.

To tackle Karnak, Favro turned to Elaine Sullivan, who had spent five seasons working at the Temple of Mut within the complex while a graduate student at Baltimore’s Johns Hopkins University. Sullivan arrived in Los Angeles in 2007 with her newly minted doctorate in Near Eastern studies and set to work in a darkened lab far from the hot and dusty streets of the modern town of Luxor. Her first task, however, was decidedly low tech. She spent the first couple of months poring through archaeological reports, authored mainly by the French team overseeing work at Karnak. Written in the past four decades, they form the backbone of current knowledge of the complex. “Luckily for the project, the publication record is excellent,” Sullivan says. A twelfth volume of the French excavations just came out, and there was additional material from before the 1970s to fill out the picture. Few archaeological sites in the world have been so exhaustively documented as Karnak. Generations of archaeologists have made painstaking measurements, sketches, photographs, and excavations at this sprawling area.

Hunkered down in the center’s Technology Sandbox, Sullivan and computer programming colleague Eunkwang Kim sat next to each other in front of massive screens to translate the data into visual information. Another student worked on map and video designs that were to be part of the website as well. They were assisted by models created by UCLA’s Department of Architecture and Urban Design. Periodically, Sullivan presented her results to Favro and another UCLA colleague, Egyptologist Willeke Wendrich. “We’re not displaying the way things looked,” Sullivan says, “but a reproduction of the data we have today.”

Even with the copious data, pulling together a coherent picture of what took place and when at Karnak proved complicated. For example, Amenhotep III had great plans for the complex. After the Egyptian pharaoh ascended the throne in 1391 BCE, he ordered a wave of construction and renovation projects. His workers enlarged what was already Egypt’s largest temple, embellished its many sanctuaries, and added two colossal statues of himself for good measure. After all, he was named for the very god—Amun—to whom the temple was dedicated.

Though he ushered in a thirty-seven-year reign of peace and prosperity, Amenhotep III never quite finished all the work he planned for Karnak before he was buried in a sumptuous tomb across the river in the Valley of the Kings. And that posed a problem for Sullivan, living nearly two and a half millennia later and halfway around the world. While Amenhotep started a tenth pylon—or massive gate—it wasn’t finished until the time of a later successor named Horemheb. So Favro suggested she show the image of the gate as nearly transparent—a signal that it was planned but unfinished. That simple adjustment allows students and Egyptologists to follow one step in the complicated evolution of the site.

But it is not the finished product that is most important, Favro insists. “Everyone is fixated on the final project, but the most exciting part is making the model.”

Keeping such models in working order once they are up and running, however, poses a new problem for their creators. “Sustainability is an issue,” admits Favro. “This is not like a book on a shelf—you have to upgrade and refresh the digital data, and that’s a big challenge.”

While many researchers would like to see uniform software and hardware packages to provide clear guidelines and quality standards, that does not appear to be in the cards. Favro sees little chance that there will be a common package that could be used by architects and archaeologists the world over. That means it will remain difficult to ascertain quality. “The Holy Grail of everyone building models to the same criteria should be abandoned,” Favro says.

But for Karnak at least, each data point is accessible to scholars who want to check. “We have footnotes, just like a book,” she says.

Digital Karnak is already being used by professors across the country. Egyptologist Peter J. Brand at the University of Memphis, who brought Sullivan to his class to explain both the process and results of the effort, says, “Showing the growth of this incredible complex was just not possible using only paper.” In visits to classrooms like Brand’s, Sullivan says she sees students using the material in a fresh way. Freed from the drudgery of sorting through static models, they experience Karnak as a growing and complex entity which provides a constant reflection of the larger trends in ancient Egyptian society.

And the new technology offers more than an alternative way of presenting reams of paper data. In January, UCLA launched an interdisciplinary effort to explore the relationship between physical spaces and culture (Favro is one of four directors of the endeavor). With a $500,000 grant from the W. M. Keck Foundation—the first time the foundation has funded a liberal arts effort—the project will use photographs, videos, geographic information systems as well as personal histories and cultural concepts to explore ways in which humans make sense of the space around them, and apply the results to social science questions. Favro hopes the effort will “promote thinking about the evolution of space.” But unlike those who labored at Karnak for the ancient pharaohs, UCLA’s researchers will be pushing around bits instead of blocks.

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Maine’s Erik Jorgensen http://www.andrewlawler.com/maines-erik-jorgensen/ Mon, 26 Mar 2012 21:55:09 +0000 http://localhost:8888/wp-a_lawler/?p=1603 When he was in fourth grade, Erik Jorgensen managed his first museum. His class came to the backyard of the family home outside Boston to
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When he was in fourth grade, Erik Jorgensen managed his first museum. His class came to the backyard of the family home outside Boston to tour the varied collections of rocks, pieces of wood, and other objects of intense interest to ten-year-olds. He charged each visitor five cents. “I even knew what a curator was,” he recalls. That passion eventually blossomed into a career dedicated to sharing the past with the public. Now the executive director of the Maine Humanities Council, Jorgensen wants to share not just the past, but the world, and the world of ideas, with the people of this tradition-bound state.

It’s a formidable task in one of the whitest states in the nation, and one that is deeply ambivalent about outsiders, suffers from extremes of wealth and poverty and low literacy, and is isolated by the ocean and a long foreign border. Distances pose a challenge. The drive from Portland, where Jorgensen lives, to Madawaska in the far north takes as long as the trip to New York City. The job, which he has had since 2007, is not made easier if you hail from Massachusetts. Maine was long a colony of that state, a fact that native Mainers don’t forget. “I usually say I’m from the part of Maine that is still Massachusetts,” he quips.

But though Jorgensen is “from away” in Maine parlance, he has thrown himself with gusto into exploring and preserving the state’s varied, esoteric, and colorful history. After graduating from Bowdoin College with a degree in art history, he lugged a council-funded exhibit about Maine’s last chicken processing plant— “the photographs were gruesome”—around the state one summer. He eventually landed a job running a local historical society whose properties included the home of Civil War general Joshua Chamberlain, who also served as president of Bowdoin as well as governor. “It was falling apart—you could stick a pencil through the walls,” he says. Riding the wave of interest in the Civil War in the wake of Ken Burns’s series, Jorgensen raised money to stabilize the house and turn it into a popular tourist site before heading to graduate school then joining the council as a program officer a decade ago.

Now, as the overseer of a $2 million annual budget and twelve employees, the lean, energetic forty-four-year-old is focused on a host of innovative programs designed to convey what he calls “the power and pleasure of ideas.” Recently the council organized a daylong symposium on India and Pakistan, which drew fifty teachers from all over the state to learn about an area much in the news. Most hospitals across Maine now have a literature and medicine program that encourages health-care personnel—from receptionists to doctors—to grapple with a host of issues through the lens of literature.

This NEH-funded program, which was the brainchild of Victoria Bonebakker at the council, started in Maine and has spread to twenty-two states, and with the help of a new NEH grant, the program soon will expand to fifteen Veterans Administration hospitals around the country. The council also is spearheading an effort to introduce children’s literature to adults who are barely proficient in reading. That can turn a practical skill into a tool for expanding one’s intellectual horizons, says Jorgensen.

The council also is funding an effort to create civic debate about important issues dear to the hearts of Mainers. A few years ago, it developed and produced a short play about the history of taxation in the state. This year, another history-based play called As Maine Grows will work its way through libraries, meeting halls, and cafes to once again spark debate—this time about development. “This is a good way to involve people on both sides of an issue,” he says. “It breaks people out of their granular communities.” But the tightening purse strings in an economic downturn have put some projects on hold. For example, an effort designed to let parole officers and parolees participate in book groups has been badly crippled by the heavy caseloads of the parole officers, says Jorgensen. But the council’s diversity of funding sources—from individual donors, foundations and the NEH—so far has kept the overall organization on an even keel.

Jorgensen keeps his hand on the tiller, quite literally. He delights in sailing a vintage thirty-foot sloop on Casco Bay, which surrounds Portland, as well as up and down the coast. “It is a great way to get out and see Maine from a different perspective,” he adds. Even then, he keeps a weather eye on history.

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From the Horse’s Mouth http://www.andrewlawler.com/from-the-horses-mouth/ Mon, 01 Sep 2008 03:34:00 +0000 http://localhost:8888/wp-a_lawler/?p=1175 Pinpointing a home of the first Indo-European speakers is a charged task that David Anthony takes seriously. Measuring teeth from dead horses in upstate New
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Pinpointing a home of the first Indo-European speakers is a charged task that David Anthony takes seriously.

Measuring teeth from dead horses in upstate New York seems an unlikely way to get at the truth behind some of the most controversial questions about the Old World. But David Anthony, a historian and archaeologist at Hartwick College, discovered that by comparing the teeth of modern horses with their Eurasian ancestors, he could determine where and when the ancient ones were ridden. And answering that seemingly arcane question is important if you want to explain why nearly half the world today speaks an Indo-European language.

The origin of Indo-European tongues has roiled scholarship since a British judge in eighteenth-century Calcutta noticed that Sanskrit and English were related. Generations of linguists have labored to reconstruct the mother from which sprang dozens of languages spoken from Wales to China. Their bitter disputes about who used proto-Indo-European, where they lived, and their impact on the budding civilizations of Mesopotamia, Iran, and the Indus River Valley are legion.

That contentious debate, says Anthony, has been “alternately dryly academic, comically absurd, and brutally political.” To advance their own goals, Nazi racists, American skinheads, Russian nationalists, and Hindu fundamentalists have all latched on to the idea of light-skinned and chariot-driving Aryans as bold purveyors of an early Indo-European culture, which came to dominate Eurasia. So the search for an Indo-European homeland is now the third rail of archaeology and linguistics. Anthony compares it to the Lost Dutchman’s mine—“discovered almost everywhere but confirmed nowhere.”

With his grizzled beard and affable manner, the fifty-nine-year-old Anthony is an unlikely candidate to wade into such dangerous territory. His father—an intelligence officer during and after World War II—taught the non-Indo-European tongue of Japanese at Randolph-Macon College in Virginia. Young David dreamed about the new-world Inca and Maya, cared little for livestock, and grew up unaware of the fierce arguments about who lived on the vast Eurasian steppes five millennia ago. The closest he got to the Old World was studying Spanish views of Inca history in Seville’s archives. But to convince potential graduate schools he had broad interests, he wrote a paper on Indo-European origins. “That paper,” he recalls, “became the rest of my life.”

The quest has led him to some strange places, from the inside of horses’ mouths to six vodka-drenched banquets hosted by hospitable Kazakhs in a single day. Now Anthony is putting himself in the scholarly crosshairs. His recent book, The Horse, the Wheel and Language: How Bronze-Age Riders from the Eurasian Steppes Shaped the Modern World, posits a location for that fabled Indo-European homeland, based on extensive research in linguistics, zoology, and old-world archaeology. Such chutzpah is enough to get attention in today’s academic world. Yet Anthony is also not a linguist or zoologist; his excavations have been mainly at North American prehistoric sites, and he claims not to know how to even ride a horse. But he has pieced together a comprehensive and remarkably vivid picture of the life and times of Bronze-Age riders who live on in the vocabulary of nearly half the world.

To unravel the mystery of Indo-European, he taught himself Russian to closely examine archaeological reports in obscure Soviet-era journals mostly ignored in the West. What he found were not the remains of crude barbarians living on the distant fringes of the civilizations blooming five thousand years ago on the banks of the Nile, Indus, and Tigris and Euphrates. Instead, these peoples of the steppes stretching from Bulgaria to Turkmenistan made quick and efficient use of the newly invented wheel, mined ore to forge metal tools and weapons, and lived in substantial villages and towns. They also participated in a vast network of trade that brought Afghan lapis lazuli to Egypt and Persian Gulf shells to the Central Asian deserts.

But did they ride? Cowboys without steeds can’t cover much territory. Horses would give any population on the grassy stretches of the steppes an enormous advantage in trade, warfare, and plain old pastoral migration. That mobility could be one way to explain the spread of the language which then morphed into a variety of tongues throughout Eurasia. Based on linguistic evidence, Anthony estimates that proto-Indo-European flourished between 4000 BCE and 3000 BCE before dying out by 2500 BCE. Yet clear representations and mentions of horses don’t appear in the Near East until about 2000 BCE. Archaeological evidence until recently has been difficult to obtain, since wild and domesticated horses look alike.

Anthony realized that one creative way to tell the two apart is to look a horse in the mouth. Collaborating with his wife, archaeologist Dorcas Brown, he measured the wear on the teeth of autopsied horses. Then, with a small grant, he bought five unbroken horses and stabled them at the State University of New York at Cobleskill. He and his students fashioned a variety of bits that may have been used five millennia ago, made from hemp rope, horsehair, bone, and leather, rather than the metal favored today. Then the horses had to be broken without using equipment. The trainer put Anthony in an enclosed paddock to show him how to achieve dominance using body motions alone “It was a stunning lesson,” he recalls. After a half hour, the wild horse responded to his movements as it would have to a lead stallion. “Since then, I’ve been up to my elbows inside horses’ mouths at least once a month.”

HorseMouthSlides

After training horses to take bits made of leather and rope, likely materials used by the earliest horsemen, David Anthony and Dorcas Brown made casts of the animals’ premolars and compared them with teeth excavated in the Eurasian steppes.
—Courtesy David Anthony

After his students rode each horse for one hundred and fifty hours, they found that even these organic bits like hemp rope wear down teeth, demonstrating that such wear and tear would show up on the molars of ancient domesticated horses as well. Taking advantage of the Iron Curtain’s collapse, Anthony and his wife visited museums across the former Soviet Union, measuring old teeth in dusty collections. He and Dorcas determined that horse teeth from two sites in northern Kazakhstan dating from 3500 BCE to 3000 BCE showed bit wear. Other scholars remain unconvinced, given the small samples. Anthony attributes some of that skepticism to the hothouse world of archaeozoology. “Dory and I are seen as interlopers—neither of us is a trained zoologist—and we have had a hard time getting accepted.”

Anthony contends that his data demonstrate that people on the steppes were using horses during the same time proto-Indo-European was current. Which part of the steppes? The ancient speakers left no written records, but they did leave clues embedded in our own speech—their words relate to our terms for bulls, cows, oxen, lambs, and pigs. They sheared wool, used wheeled vehicles, and had no word for city. And they were not above theft; from Celtic Ireland to the Iranian plateau, the verbs for cattle rustling are related. By examining the range of animal and plant species with proto-Indo-European roots with archaeological data from Russia, Ukraine, and Kazakhstan, Anthony pinpoints that homeland to the steppes north of the Black Sea and west of the Caucasus region called the Pontic-Caspian steppes. But these were not the marauding barbarians who swept out of the grasslands to terrorize farmers and plunder wealthy cities à la Genghis Khan. Instead, Anthony sees the proto-Indo-Europeans as self-sufficient people migrating in fits and starts, perhaps sometimes peacefully filtering into settled areas or occasionally through warfare.

But those conclusions, though based on an exhaustive analysis of pottery and radiocarbon dates from the region, irk colleagues. “Languages are culturally learned, not biologically inherited,” notes Phil Kohl, an archaeologist at Wellesley College in Massachusetts who knows and respects Anthony’s work. “Conflating language and culture and race is the cardinal sin of anthropology.” That is because the language a person speaks doesn’t necessarily mean they come from a particular ethnic group—Hispanic Americans may speak English and Siberian herders may speak Russian. But some scientists and nationalists in the nineteenth and twentieth centuries used the search for an Aryan tongue and homeland to attempt to prove racial purity of modern ethnic groups, a concept now rejected by most academics. While praising his thorough and comprehensive study, he says that Anthony uses archaeological data to fit his model. Kohl adds that, like many other scholars, Anthony has fallen prey to the romance surrounding the Bronze-Age riders, noting that the book’s subtitle claims those riders “shaped the modern world.” Kohl adds, “If I didn’t know him better, I’d label him a racist.”

SamaraValleySite
This site in the Samara Valley of southern Russia near Kazakhstan is one of many locations David Anthony has studied to determine the role of early horsemen in spreading proto-Indo-European across the steppes.

—Courtesy David Anthony

Anthony dismisses such criticism as itself mired in old thinking about the interaction of language and material culture. “We’ve all been taught for years not to talk about it because of its colonialist and racist baggage,” he says, adding that he doesn’t like being labeled a romantic because he sees himself foremost as a careful scientist. But he does acknowledge that he has come to view archaeology “as a form of ancestor worship.” When he was fifteen, he read a passage from the Scottish historian Thomas Carlyle that says: “Consider History, with the beginnings of it stretching dimly into the remote time, emerging darkly out of the mysterious Eternity, the true Epic poem and universal Divine scripture.” That poetic vision has stuck with him through his decades of painstaking research, what he calls “a personal Rosebud.” And that, he adds, “might make me a romantic—or a Buddhist.”

Courtesy of Humanities Magazine website

 

Volume 29, Number 5

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